St. Paul's Episcopal Church Presents Director Of Music Paul Thomas Performing Inaugural Organ Recital Friday

  • Thursday, September 27, 2018

St. Paul’s Episcopal Church, Chattanooga, 305 W. Seventh St. at Pine Street, announces Paul Thomas, newly appointed director of music, will perform his inaugural organ recital on Friday at 7:30 p.m.  The French-inspired program, showcasing St. Paul’s Casavant organ, features works by Marchand, Bach, Lefébure-Wély, Vierne, Cochereau and Dupré.  Admission is free.  Proceeds from a free-will offering will benefit music scholarships for young choristers at St. Paul’s. 

For more information about St. Paul’s Artist Series, visit: http://www.stpaulschatt.org/concert-season/
 
Rev. Brad Whitaker, rector at St. Paul’s, said, "Music is an integral part of worship here at St. Paul’s.  We are delighted that Paul Thomas is joining us as our new director of music and know that his outstanding qualities as a musician and leader will continue this tradition with energy and enthusiasm. In particular, Paul has many gifts in working with choirs which transcend all ages.  He and I invite anyone with children who would like to be a part of an excellent experience in youth choirs to contact St. Paul’s. Please join us in welcoming Paul to our community." 
 
Mr. Thomas is equally enthusiastic about his new position, "It is a great joy to serve St. Paul's as director of music.  An active and growing congregation, visionary leadership, talented choirs, a strong musical tradition and, of course, the mighty Casavant organ, make it an exciting place to be.  I look forward to inspiring hearts, minds and voices through the living tradition of sacred music, and reaching more and more people as we seek to reflect God's beauty in our offerings of praise." 
 
Before arriving at St. Paul’s, Chattanooga, Mr. Thomas previously served the Cathedral Church of St. Luke & St. Paul in Charleston, SC.  He earned the master of music degree in organ performance and certificate in church music studies from the Yale School of Music and Institute of Sacred Music, where he studied organ with Thomas Murray and organ improvisation with Jeffrey Brillhart.  While at Yale, he received the Richard Paul DeLong prize for the student "whose work best exemplifies the dedication and the use of those special gifts required of practicing church musicians."  He also received second prize in the Schoenstein Competition in the Art of Organ Accompaniment. As an undergraduate, he studied organ with Charles Tompkins at Furman University. Mr. Thomas has given solo organ recitals at the Piccolo Spoleto Festival, Yale’s Woolsey Hall, Saint Thomas Church Fifth Avenue and Washington National Cathedral. 

An active vocal soloist, accompanist and continuo player, he has recently performed with the Westminster Choir, The King’s Counterpoint, the Taylor Festival Choir and the Charleston Bach Ensemble.  He has accompanied choirs and played for daily services in Ely, Wells and Canterbury Cathedrals in England. 
 
Program:
 
Grand Dialogue in C, from Troisième Livre d’Orgue  Louis Marchand (1669-1732) 
 
From Orgelbüchlein      Johann Sebastian Bach (1685-1750)  Nun komm, der Heiden Heiland, BWV 599   Liebster Jesu, wir sind hier, BWV 634  Wenn wir in höchsten Nöten sein, BWV 641 
 
Praeludium pro organo pleno, BWV 552/1   J.S. Bach 
 
Boléro de Concert, Op. 166 -     Louis James Alfred Lefébure-Wély          (1817-1869) 
 
From Pièces de Fantaisie, Suite 2    Louis Vierne (1870-1937)  Clair de lune  Toccata 
 
Berceuse, from 24 Pièces en style libré    Louis Vierne Berceuse à la mémoire de Louis Vierne    Pierre Cochereau (1924-1984) 
 
Prelude and Fugue in B major, Op. 7, No. 1   Marcel Dupré (1886-1971)

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